On their third album, Ornamentos Del Miedo once again drags us into that personal world of melancholy, pessimism, and slowness through six songs reaching almost 70 minutes in length. Majestic atmospheric funeral doom, authentically old school, to be more precise. Abyssal laments blend with ambient keyboards and synthesizers amidst an astonishingly rich guitar work, and all this tied to a production for maniacs of the style, more than faithful to the longed-for decade of the 90s.

Second, and for many, the best album of the Scandinavian legend. This is fucking Norwegian black metal. Bloody, cold, menacing, distant, perverse, and Abbath spitting some of the most chilling vocals ever recorded. Perfection, simply perfection.

Undisputed pillar of Norwegian black metal. Total war. An everlasting classic with one of the most rotten voices we have ever heard. A cruel demonstration of vileness and power never surpassed.

What a pain in the ass is Peter Tägtgren’s sound... Did you hear those riffs you guys!? This is fucking epic in music. Whatever they say, another colossal Immortal album. Different, maybe yes, but also huge. Fans to death of this record!

A contemporary classic of epic black metal. An atmospheric cult opus with Shield Anvil from Visigoth. You know the exact great album we are talking about... We can’t be more excited are about this material… If you love Summoning, you will love this record!

One song, one hour. April, 1994. Another paranormal and historical event. Blackened drone? Insane, very disturbing. Rest in power, It!!

The nightmare continues, Onielar won’t stop terrorizing you at night. Orthodox, fast, and cruel black metal, and so on until Doomsday. A ritual that intends to leave as many victims as possible along the way. They’re coming for your head!

Onielar and her sect continue to prove with this fourth album that theirs is the best black metal ever heard in Germany. Haven’t you run away in terror yet?

Sixth and indispensable album by this cursed band. Black metal to the last consequences, treacherous, and always attacking the jugular through that spectrum they have as a front-woman. They are infallible.

That fucking pic still haunts us. Vampiric black, exemplary in lo-fi, unhinged, and raw to the max. This debut album has something evil in it that we will never be able to fully unveil. Legendary.

Evil, criminally insane, melancholically on the edge. Meyhna’ch crawls here before all his demons, and one of the most iconic covers of his career. Turbulent, sickening, and very solid with that drum programming.

The legendary demo from 2001 only available in a 100 copies cassette edition, finally on CD. Meyhna’ch in its purest form, with sadistic songs dragged in from here and there, and the cover of Venom’s ‘Possessed’. Brutal stuff!!

Primitive, torn, undoubtedly one of the biggest classic US black metal acts. This debut is a tribute to nihilism and frozen, raw, angsty music.

Most likely, Judas Iscariot’s best album. Second opus by this impressive and historic American one-man band. Indispensable if we talk about devout and primeval black metal.

Third album by Judas Iscariot, third monument to the purest black metal. Here there is only room for orthodoxy and frost. Ave, Akhenaten!!

Fourth album by Judas Iscariot, raw and cold as a sunless winter. Another war emblem for a flawless career. This is pure black metal.

Barbarian Swords’ first demo re-released ten years after in double CD digipack format with six extra, unreleased, and purulent tracks, and a never-before-released live set from 2014. Depraved sound, sodomite black doom metal. Hallucinogenic shit for the most loyal and sickest soldiers!