Highly recommended first album by this decadent, venomous, and malevolent german death doom band with members of Beyond and Nocturnal. Belched from a swamp for fans of Goatlord, Delirium, Hellhammer, Necro Schizma, Winter, early Asphyx, or Autopsy.

First album by this band very indebted to the mid 90’s, with a special fixation for the Swedish sound. Dismember, Fleshcrawl, Entombed, Furbowl, Bolt Thrower, Grave, Morgoth, Vomitory... Crunchy, rotten. There is no such thing as a bad death metal band from Finland.

Blackened and nihilistic death metal for fuckin’ maniacs of Grave Miasma, Sadistic Intent, early Morbid Angel, Autopsy, or Necros Christos. Occult material from Germany… Damnation assured! First EP.

Second pachydermic outing by this primitive and experimented death doom trio. Old school as fuck, needless to say. All very basic, no fucking bullshit here, to leave us battered from Bilbao.

As a band, Deviltook only deliver raw songs, which totally flee from overproduction, and which in essence drink from classics of the second wave of black metal, from Norwegian bands like Carpathian Forest, Darkthrone, or Gorgoroth. With members from Mixomatosis, Aposento, Bizarre, Cult Of Self Destruction, Irredemption, Pro Septico, Itnuveth… Second album!

Limited edition on CD-R digipack of this first EP by the painful and ritualistic Catalan project Amargor. Sickening raw black metal for tortured souls. Something really, really suicidal.

Murderous and heartbreaking split between Amargor and Turment Nocturn that perfectly exemplifies the good moment that Catalan raw black metal is going through. These sordid sounds will raze your sanity to the ground.

Limited edition on CD-R digipack.

Fourth album by the merciless Swedish band. Black metal, black death, or war metal: take your pick, and this riffraff will rip your guts out. A ritual murder.

Second EP by Balmog, still prior to their first album. Criminal black metal, surely their most atrocious and cruel recording. You must listen to this massacre.

After their first years as The Seed, Fierce Cult debuts with “Where Humanity Ends”, 50 minutes of massive, pissed-off metal from Madrid. Death thrash with a lot of groove that gives no respite. Only when you are unconscious on the floor will they stop beating you.

First album by this legendary Japanese undergound band! In 2017, 30 years after their foundation, Necrophile hit us with these 10 tracks of abrasive death metal and thrash. Transgressor, Anatomia, Wormridden, or Multiplex are some of the other bands these animals are part of. A criminal work!!

“Drugs & Death”, of course! With their first album, Sacroscum perfectly define the spirit of Eternal Juggernaut Records. Black crust from Germany, with members of Fleshcrawl, Nekrovault... A rotten duo that can remind us as much of Discharge as of Darkthrone or Inquisition. Aaaargh!!

Black metal with pagan spirit in the vein of Windir, Taake, or early Ulver. A compilation of great songs very well strung together. Highly recommended for purists of the style.

Crunchy and smelly amalgam between death metal and punk for fans of Tribulation, Morbus Chron, or Obliteration. An excellent first album, topped off by a sensational artwork that honours these great songs. The Greek underground never disappoints!

Evil death metal absolutely inspired by the earliest instances of the style. Horripilant’s first EP really reminds of Possessed, Sadistic Intent, first Sepultura and Morbid Angel... These Valencians know very well what they are doing, moving between the 80s and early 90s, but not beyond. Good choice, dudes!!

“Melancholie der Engel” is like being thrown into an abyss of revelatory ascent, like being cruelly abandoned on a stage of immense universal solitude. Fuck yes, Shamael’s first album is like a long, feverish nightmare from which you cannot wake up. This fascinating one-man band invokes a devastating, and atmospheric, funeral doom on a par with the best names of the style.

The prolific duo exhibits a new identity while traversing death doom territories that will be very recognizable to any of their followers. On their seventh work, Graveyard Of Souls continue their philosophical journey between melodic and skillfully ornamented songs, being able to convey as much light as darkness to anyone who approaches their dilated sonic canvases. An old school album for old school fans, absolutely recommended if you love Paradise Lost, Tiamat, Crematory, or Alastis.